Music

The art of music is among the greatest of God’s gifts to us. Its capacity to move us from the depths is not only a sign of God’s redeeming love for us but it is a tangible witness to the active presence of God in our lives. Through the use of music in worship, we can at once feel the rushing wind of the spirit or hear the still, small voice of calm. We can know the power of God to speak directly to us without uttering a single word.

Music is a way of prayer to proclaim the Gospel and to tell the story of our redemption in manifold ways. It can provide a structure to the mass and it can serve as a means of either active expression or passive reflection for the congregation. Above all, its purpose is to enable us to say to God and to one another that which can in no other way be said.

At Canterbury, the art of music is orchestrated into the context of our 10 AM liturgy. The parish, known for robust and confident singing, makes use of a broad palette of hymns, psalms, and spiritual songs. It is a normal practice that our music is led by a keyboard instrument, but unaccompanied singing is prized as well. On festival days, small ensembles of the finest musicians in the area are gathered to perform chamber music repertoire. At all times, we bring our best art.


Numbered among Canterbury’s treasures are two rare and exquisite keyboard instruments. Both instruments were donated to the parish by anonymous contributors, and we are deeply grateful and thankful to God for their generosity. Both instruments stand in the splendid acoustic of the nave and are in regular use at the 10 AM liturgy as well as other liturgies during the year.

Performances and recordings on these instruments are strongly encouraged. Please contact the Parish Musician Frederick Frahm for further information.

JH & CS Odell pipe organ, Opus 76 (1868)

Brothers John Henry Odell (1830-1899) and Caleb Sherwood Odell (1827-1892) founded the organ building firm of J.H. & C.S. Odell in 1859. They set up shop at a building on the corner of West 42nd Street and 9th Avenue in New York City and would become one of the longest lived organ-building firms established in the 19th century. The firm built just over 600 pipe organs and remained active in the Greater New York Metropolitan until 1983. Of the firm’s entire catalog, only about 70 instruments remain.

Canterbury’s pipe organ was originally built in this shop at 407-409 West 42nd Street, in New York City. The organ was first installed in the Community Presbyterian Church of Chester, NJ where it served the congregation for 100 years. Eventually, the instrument fell in to disrepair and was acquired in the 1990s by Anthony Meloni of Meloni and Farrier Organ Builders in Yonkers, NY. The organ was finally restored by Meloni & Farrier in 2016 and acquired by Canterbury in 2019.

The specification of the instrument is consistent with “spec #4” as offered by the company in 1868:

MANUAL (Expressive)
8′  Open Diapason        (TC)  44
8′  Keraulophone         (TC)  44
8′  Dulciana             (TC)  44
8′  Clarionet Flute      (TC)  44
8′  Stopped Diapason Bass      12
4′  Principal                  56
2′  Fifteenth                  56
Tremulant

PEDAL
16′ Bourdon                    20 (to G)

COUPLERS
Manual/Pedal Coupler

The temperament is set to Kellner Bach.

Chickering Grand Piano (circa 1890)

Jonas Chickering founded the company bearing his name in 1823. The firm’s building history is extensive (and colorful), and it was America’s first established piano builder. Canterbury’s Chickering was originally purchased by Galen Spencer, Mayor of Joplin, MO in the early 1890s. It remained in the family being passed down through the generations and for the last 45 years Spencer’s great great grandson (a priest) established its use at St. Andrew’s Priory in Denver and the Monastic Priory in Santa Fe. The instrument was recently restored by Alex d’ Von Boggs of Albuquerque. Canterbury acquired the Chickering piano in 2019.